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<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002>> However I do remember being impressed by a =
ring of=20
nine(!) near Norwich (Felmingham?) where the old middle six were 19C=20
</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002>> Mears and had tuned up remarkably well and =
made=20
better by being topped and tailed by modern WBF bells</SPAN></FONT></FONT><=
/DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002></SPAN></FONT></FONT> </DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002>They topped and tailed the ring and replaced the=
4th=20
(of six) to keep them in a Major key, but hung the old 4th fir ringing as a=
=20
sharp 5th so that they could still ring the original=20
six.</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002></SPAN></FONT></FONT> </DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002>I think this proves that a decent tenor on the e=
nd of a=20
mediocre ring can improve things considerably, which is why I can never=20
understand why some old-style rings have had their tenors recast old-style =
to=20
match -  a true harmonic bell would probably make them sound much bett=
er.=20
The same doesn't follow when adding a treble, though. The result is 'ping' =
on=20
the front!</SPAN></FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002></SPAN></FONT></FONT><FONT face=3DArial><FONT=20
color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002></SPAN></FONT></FONT> </DIV>
<DIV><FONT face=3DArial><FONT color=3D#0000ff size=3D2><SPAN=20
class=3D997295008-16082002>David</SPAN></FONT></FONT></DIV></BODY></HTML>