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<DIV><B>From:</B> <A title=3Dmatthewhigby@a...=20
href=3D"mailto:matthewhigby@a...">matthewhigby@a...</A> </DIV>
<DIV> </DIV>
<DIV><FONT face=3DArial size=3D2>></FONT><FONT face=3DArial> <FONT lang=
=3D0=20
style=3D"BACKGROUND-COLOR: #ffffff" color=3D#000000 size=3D2 FAMILY=3D"SANS=
SERIF">Of its=20
time - it probably was! Compare it to Wrington tenor - No contest in my=20
opinion!</FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT lang=3D0 style=3D"BACKGROUND-COLOR: #ffffff"=
=20
color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF"></FONT></FONT> </DIV>
<DIV><FONT face=3DArial><FONT lang=3D0 style=3D"BACKGROUND-COLOR: #ffffff"=
=20
color=3D#000000 size=3D2 FAMILY=3D"SANSSERIF">I've not rung at Wrington, bu=
t surely it=20
must be better than Taunton!</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Robinson was writing after true harmonic t=
uning had=20
been introduced by Taylor's, at least, so it's difficult to believe that he=
=20
actually listened to the bells if he could still describe such bells as=20
Taunton as 'fine'. Wasn't it him who was very pro-Whitechapel and=20
anti-Taylors, even before Whitechapel adopted true-harmonic tuning?</FONT><=
/DIV>
<DIV> </DIV>
<DIV><FONT face=3DArial size=3D2>David</DIV></FONT></BODY></HTML>