<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 16/03/03 10:59:36 GMT Standard Time, djb122@y... writes:<BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I expect Whitechapel actuallycast them - most of l&J's early bells were<BR>
cast by either them or Taylor's. At St John's Glastonbury the old 4th<BR>
stated 'Peter Llewellin made me', when it was actually a Whitechapel<BR>
bell. The old 7th was another early L&J bell, although who cast this one<BR>
is uncertain. Sadly both bells were scrapped in the 'restoration' of the<BR>
early 1990s, which was a total disaster from every point of view - the<BR>
old bells were apparently a majestic although rather tough-going eight.<BR>
The present bells sound vile and don't go especially well either.<BR>
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I am pretty sure it was the 7th that was cast at Whitechapel. Both the 4th and 7th were undersized (the 4th was quite a bit smaller than the 3rd) and hence they were dropped in the restoration project. I am afraid I disagree with the "Total Disaster" bit. I rang a quarter on the old 8 just before they were removed. The 26cwt tenor was a truly magnificent bell which coveredup a multitude of sins in the other bells. However, the tower movement wasexcessive and they were very hard to ring. The locals (who also ring at StBenedict - an 11cwt 6) found them very hard to train and maintain a local band with.<BR>
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>From memory the outline of the scheme was:<BR>
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Old tenor - now a slow swinger at Albury (NSW).<BR>
Old 7th (Replaced with the ex St Saviour, Larkhall Tenor as the tenor of the remodelled 8)<BR>
Old 6th - New 7th (A Bilbie Bell I think).<BR>
Old 5th - Recast to become new 6th.<BR>
Old 4th - Scrapped<BR>
Old 3rd - New 5th (Bilbie again).<BR>
Old 2nd - New 4th (Old style Taylor)<BR>
Old Treble - New 3rd (Old style Taylor)<BR>
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Two new Whitechapel trebles complete the octave. They were tuned by Whitechapel and hung in a new single level bellframe ¢ 20 feet lower in the tower with new fittings (Inc WBF cast iron stocks) by Bob Parker ¢1993. I think the tuning work was very effective, however the tenor isn't one of Warners better efforts but it is superior (and heavier) than the old 7th.<BR>
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The tower still moves (but no way as much as before) and the 14cwt tenor ismuch more in keeping with the local band. I have had some really good ringing on them with a relatively inexperienced band.<BR>
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Until that time the only other rings of 8 in that area were: Street (23cwt and very rough) and Wells St Cuthbert (27cwt and difficult). Learning 8 bell ringing in the Glaston Branch was rather a challenge! Pilton (17cwt) and Butleigh (19cwt) have since been augmented.<BR>
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Matthew</FONT></HTML>