------=_NextPart_000_000F_01C56AC0.F9D0C140 Content-Type: text/plain; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable Hmm, it's interesting to see what visually attractive results can be achiev= ed with money and technology. BUT, it's usually the parish - and the fund-r= aisers - who have to pay for recording, so let's not be beguiled. If record= ing of this sort of quality becomes compulsory then we must hope that EH wi= ll at least put its hands in its pockets and pay! Some bellframe researches undertaken by people without specialist knowledge= of bells and ringing have thrown up some surprising and "interesting" resu= lts. I haven't looked at the detail of the Attleborough and St.Osyth report= s, but I have been concerned by mis-information and dodgy conclusions in ot= her bellframe reports by so-called expert archaeologists. Richard's point a= bout speculation being accepted fact hits the nail on the head. We "bell people" can and should learn from those with expertise in other ar= eas of archaeological recording, but I'm not so sure they're willing to lea= rn from us! But looking at bellframes in the context of the historical stru= cture of the tower is not new at all, and we've been doing it for some time= . All the reports compiled for the Historic Bellframes Rescue Recording Pro= ject since the early 1990s have looked at this in detail Several of us (including the late George Elphick) put quite a lot of time a= nd effort into trying to work with EH on bellframes and bellframe recording= in the early 1990s, but ultimately (as big organisations do) they turned t= heir back on us and now they seem to be firmly ploughing their own furrow.= =20 The results look appealing - and they certainly make my efforts at recordin= g look very amateurish - but it could become problematic (i.e. costly) for = ringing and bell restoration if this standard becomes the norm. And Bell Hi= story will only gain if the results are accepted as credible and based on s= ound analysis. CP ------=_NextPart_000_000F_01C56AC0.F9D0C140 Content-Type: text/html; charset="iso-8859-1" Content-Transfer-Encoding: quoted-printable
Hmm, it's interesting to see what visually= =20 attractive results can be achieved with money and technology. BUT, it's usu= ally=20 the parish - and the fund-raisers - who have to pay for recording, so let's= not=20 be beguiled. If recording of this sort of quality becomes compulsory then w= e=20 must hope that EH will at least put its hands in its pockets and=20 pay!
 
Some bellframe researches undertaken by pe= ople=20 without specialist knowledge of bells and ringing have thrown up some surpr= ising=20 and "interesting" results. I haven't looked at the detail of the Attleborou= gh=20 and St.Osyth reports, but I have been concerned by mis-information and dodg= y=20 conclusions in other bellframe reports by so-called expert archaeologi= sts.=20 Richard's point about speculation being accepted fact hits the nail on the= =20 head.
 
We "bell people" can and should learn from= those=20 with expertise in other areas of archaeological recording, but I'm not so s= ure=20 they're willing to learn from us! But looking at bellframes in the context = of=20 the historical structure of the tower is not new at all, and we've been doi= ng it=20 for some time. All the reports compiled for the Historic Bellframes Rescue= =20 Recording Project since the early 1990s have looked at this in=20 detail
 
Several of us (including the late George E= lphick)=20 put quite a lot of time and effort into trying to work with EH on bellframe= s and=20 bellframe recording in the early 1990s, but ultimately (as big organisation= s do)=20 they turned their back on us and now they seem to be firmly ploughing their= own=20 furrow.
 
The results look appealing - and they cert= ainly=20 make my efforts at recording look very amateurish - but it could become=20 problematic (i.e. costly) for ringing and bell restoration if this standard= =20 becomes the norm. And Bell History will only gain if the results are accept= ed as=20 credible and based on sound analysis.
 
CP
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