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Moving on from pitch, but still on musical appreciation of ringing ...
Richard Jones (Birmingham) told me recently that a fellow musician had aske=
d him how ringers annotate the syncopated rhythm of change-ringing!=20
I rather like the idea of trying to write a musical score for arhythmic (i.=
e. bad) ringing
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Moving on from pitch, but still on musical=
=20
appreciation of ringing ...
Richard Jones (Birmingham) told me recentl=
y that a=20
fellow musician had asked him how ringers annotate the syncopated rhythm of=
=20
change-ringing!
I rather like the idea of trying to write =
a musical=20
score for arhythmic (i.e. bad) ringing
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