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<DIV><SPAN class=402553207-18092006><FONT face="Baskerville Old Face"
color=#0000ff>It was one of the discrepancies between Dove and JT records on
which I have recently had a purge with JB.</FONT></SPAN></DIV>
<DIV><SPAN class=402553207-18092006><FONT face="Baskerville Old Face"
color=#0000ff></FONT></SPAN> </DIV>
<DIV><SPAN class=402553207-18092006><FONT face="Baskerville Old Face"
color=#0000ff>A</FONT></SPAN></DIV>
<DIV></DIV>
<DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left><FONT face=Tahoma
size=2>-----Original Message-----<BR><B>From:</B> bellhistorians@yahoogroups.com
[mailto:bellhistorians@yahoogroups.com] <B>On Behalf Of </B>Richard
Offen<BR><B>Sent:</B> 15 September 2006 15:56<BR><B>To:</B>
bellhistorians@yahoogroups.com<BR><B>Subject:</B> [Bell Historians] Re: Trinity
New york<BR><BR></FONT></DIV>
<DIV id=ygrp-text>
<P>> South Petherton are tuned to the odd pitch because Swindon are too
and<BR>> David Purnell specified that he wanted an exact copy of Swindon with
<BR>two<BR>> trebles.<BR>> <BR>> Swindon, in common with other 50.5"
diameter bells of the time were<BR>> tuned so that the tenor did not exceed
22 cwt - the weight of the bell<BR>> at that time being the primary factor
influencing its cost. <BR><BR>Sorry! A supplementary question: When did Swindon
change from being <BR>22-0-9 in Eb to 21-3-9 in D ...why and how?<BR><BR>If this
question has been asked before and I've missed it, I
apologise!<BR><BR>R<BR><BR></P></DIV><!--End group email --></BODY></HTML>