<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3c.org/TR/1999/REC-html401-19991224/loose.dtd">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1"><!-- Network content -->
<META content="MSHTML 6.00.5730.11" name=GENERATOR></HEAD>
<BODY style="BACKGROUND-COLOR: #ffffff">
<DIV dir=ltr align=left><SPAN class=343021408-08122006><FONT face=Arial
color=#0000ff size=2>Lest anyone be confused, don't forget that these notes read
*up* from tenor to treble.</FONT></SPAN></DIV>
<DIV dir=ltr align=left><SPAN class=343021408-08122006><FONT face=Arial
color=#0000ff size=2></FONT></SPAN> </DIV>
<DIV dir=ltr align=left><SPAN class=343021408-08122006><FONT face=Arial
color=#0000ff size=2>Mark</FONT></SPAN></DIV><BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px solid; MARGIN-RIGHT: 0px">
<DIV class=OutlookMessageHeader lang=en-us dir=ltr align=left>
<HR tabIndex=-1>
<FONT face=Tahoma size=2><B>From:</B> bellhistorians@yahoogroups.com
[mailto:bellhistorians@yahoogroups.com] <B>On Behalf Of </B>Carl S
Zimmerman<BR><B>Sent:</B> 08 December 2006 07:36<BR><B>To:</B> Bell Historians
List<BR><B>Subject:</B> Re: [Bell Historians] Musical
scales<BR></FONT><BR></DIV>
<DIV></DIV>
<DIV id=ygrp-text>
<P>Read this with a monospaced font:<BR><BR>Ringing #: 8 7 6 5 4 3 2 1<BR>(8 =
tenor; 1 = treble)<BR>Solfege: Do Re Mi Fa So La Ti Do<BR>Interval: 1 2 3 4 5
6 7 8<BR>(1 = unison, 8 = octave)<BR>Key of Gb: Gb Ab Bb Cb Db Eb F Gb (six
flats)<BR>Key of Db: Db Eb F Gb Ab Bb C Db (five flats)<BR>Key of Ab: Ab Bb C
Db Eb F G Ab (four flats)<BR>Key of Eb: Eb F G Ab Bb C D Eb (three
flats)<BR>Key of Bb: Bb C D Eb F G A Bb (two flats)<BR>Key of F: F G A Bb C D
E F (one flat)<BR>Key of C: C D E F G A B C (no flats or sharps)<BR>Key of G:
G A B C D E F# G (one sharp)<BR>Key of D: D E F# G A B C# D (two
sharps)<BR>Key of A: A B C# D E F# G# A (three sharps)<BR>Key of E: E F# G# A
B C# D# E (four sharps)<BR>Key of B: B C# D# E F# G# A# B (five sharps)<BR>Key
of F#: F# G# A# B C# D# E# F# (six sharps)<BR><BR>In the major scale, you only
need weird things like Cb or E# when in <BR>the key of six flats or six
sharps, respectively. Otherwise, they <BR>are used (as are double flats or
double sharps) only with diminished <BR>or augmented intervals, respectively,
and those don't occur in normal <BR>ringing.<BR><BR>CSZ<BR></P></DIV><!--End group email --></BLOCKQUOTE></BODY></HTML>