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<P><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;">> As regards 12s, the reason is sometimes to get a light eight by adding two<BR>> trebles and a flat 6th / sharp 2nd to a ring of ten. It is perhaps also a<BR>> matter of prestige in some cases. I wonder what proportion of rings of 12<BR>> has a Sunday service band which can ring, say, at least Grandsire Cinques<BR>> regularly?<o></o></SPAN></P>
<P><SPAN style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;">I'm sure you are right that prestige has a lot to do with augmentations to twelve. I too am</SPAN><SPAN lang="EN-GB" style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;"> sceptical</SPAN><SPAN style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;"> about how many twelves have Sunday service bands that actually ring changes on twelve regularly.</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;"><BR>> <BR>> With higher numbers, it was presumably done at <st1><st1>Birmingham</st1></st1> because the band<BR>> had done everything that could be done on 12 - perhaps someone from<BR>> <st1><st1>Birmingham</st1></st1> can clarify? As I understand it, <st1><st1>Perth</st1></st1> were originally envisaged<BR>> as a 15 with semitones to give a light 12, and adding another bell was a<BR>> logical step given that it was only one bell needed to give 16. It's<BR>> interesting that 16-bell ringing doesn't seem to have caught on and there is<BR>> no 16 in or around <st1><st1>London</st1></st1>.<o></o></SPAN></P>
<P><SPAN style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;">You are indeed correct, Swan Bells were originally going to be 15 + 2 semitones, but, by the time a home found for the ring, the advent of ringing on 16 tower bells had come about so the additional treble to mark the new millennium seemed the obvious thing to do.</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;"><o></o></SPAN></P>
<P><SPAN style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;">Personally, whilst I find 16 bell ringing intellectually challenging (some would say that I find 6 bell ringing intellectually challenging!), musically I don't find it particularly enjoyable.</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;"><o></o></SPAN></P>
<P><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;"><BR>> <BR>> "And mini-rings. Why have the numbers increased enormously? Is it that,<BR>> once one person's done it, others realise that it isn't as difficult<BR>> as it looked?"<BR>> <BR>> I think this can be attributed largely to <st1>Matt</st1>hew Higby, who developed<BR>> hanging techniques for small bells and was the first to produce and sell<BR>> complete 'mini-ring packages' commercially - such mini-rings as existed<BR>> before were generally built by their owners.<o></o></SPAN></P>
<P><SPAN style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;">I think one of the reasons mini-rings have become so popular is accessibility. With the increase in complaints about ringing in many localities, mini-rings offer a good alternative for those who wish to ring large numbers of peals or increase the length of practice time available without causing a nuisance to the local populace.</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;"><o></o></SPAN></P>
<P><SPAN style="FONT-SIZE: 10pt;COLOR: #00007f;FONT-FAMILY: Georgia;">Richard</SPAN><SPAN style="FONT-SIZE: 10pt;FONT-FAMILY: Georgia;"><o></o></SPAN></P>
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