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<p><font size=3 color=navy face="Times New Roman"><span style='font-size:12.0pt;
color:navy'>“</span></font>I would be interested to here of anything that
list members can add to <br>
the details. I have found out about this bell.<font color=navy><span
style='color:navy'>”<o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>It’s by Richard Purdue I, cast in
the same year as his masterpiece – the 36 cwt tenor at Queen Camel. The <st1:place
w:st="on"><st1:City w:st="on">Weymouth</st1:City></st1:place> bell is from the
old town hall, and is described on p.767 of Christopher Dalton’s Dorset
Part III.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>This style of inscription and the
lozenge-shaped word stops are pretty much universal on bells by Richard I, and by
several other members of the Purdue family. The tenor at West Buckland in <st1:City
w:st="on"><st1:place w:st="on">Somerset</st1:place></st1:City>, where I used to
be tower captain, is a typical example; the inscription appears to have been
cut out of a sheet of lead or thick parchment and applied to the model bell
when the mould was in preparation, and the letters are large and rather untidy.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>David</span></font> <font size=2
color=navy face=Arial><span style='font-size:10.0pt;font-family:Arial;
color:navy'><o:p></o:p></span></font></p>
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