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<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'>You need to look at Bill Hibbert’s
excellent web site ‘The Sound of Bells’:<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><o:p> </o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><a
href="http://www.hibberts.co.uk/index.htm">http://www.hibberts.co.uk/index.htm</a><o:p></o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><o:p> </o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'>Also <st1:PersonName w:st="on">Nigel
 Taylor</st1:PersonName>’s fascinating site ‘</span></font><font face=Optima><span
style='font-family:Optima'>Tuning, Temperaments And Bells’:<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=3 face=Optima><span style='font-size:12.0pt;
font-family:Optima'><o:p> </o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><a
href="http://www.kirnberger.fsnet.co.uk/">http://www.kirnberger.fsnet.co.uk/</a><o:p></o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><o:p> </o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'>In short, yes, loads of research has
been done in the past few years.<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><o:p> </o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'>Richard<o:p></o:p></span></font></p>

<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'><o:p> </o:p></span></font></p>

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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>Subject:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> [Bell
Historians] 16th and 17th century tuning</span></font><o:p></o:p></p>

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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>

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<p><font size=3 face="Times New Roman"><span style='font-size:12.0pt'><br>
Is anyone aware of any research into how the tuning of rings <br>
of bells evolved during the 16th and 17th centuries? <o:p></o:p></span></font></p>

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