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<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'>Like a sore thumb!<o:p></o:p></span></font></p>
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12.0pt;font-family:Optima;color:black'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 color=black face=Optima><span style='font-size:
12.0pt;font-family:Optima;color:black'>R<o:p></o:p></span></font></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> <st1:PersonName
w:st="on">bellhistorians@yahoogroups.com</st1:PersonName> [mailto:<st1:PersonName
w:st="on">bellhistorians@yahoogroups.com</st1:PersonName>] <b><span
style='font-weight:bold'>On Behalf Of </span></b>Sam Austin<br>
<b><span style='font-weight:bold'>Sent:</span></b> Monday, 8 December 2008
10:16 PM<br>
<b><span style='font-weight:bold'>To:</span></b> <st1:PersonName w:st="on">bellhistorians@yahoogroups.com</st1:PersonName><br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: [Bell Historians] GSM
Cambridge and stretch tuning</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Some people find the trebles (particularly on 12) are masked
by the their octave equivalent bell when amongst them, if they are sharper they
do stand out.<o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>Aye<o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
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<p class=MsoNormal style='margin-bottom:12.0pt'><font size=3
face="Times New Roman"><span style='font-size:12.0pt'>Sam<o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'>On Mon, Dec 8, 2008 at 11:47 AM, David Bryant <<a
href="mailto:David.Bryant@EG4H1w8T5a7TYmZQXUh2ueWLfHFrgg9MqmMGGNUxVYCxjAK2crUdvwDc_vOI3JQPQvDoDm59zrlR1tNRbuU.yahoo.invalid">David.Bryant@<wbr>ywt.org.uk</a>>
wrote:<o:p></o:p></span></font></p>
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<p style='background:white'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>"</span></font>I usually loose the
trebles at <st1:City w:st="on"><st1:place w:st="on">Peterborough</st1:place></st1:City>
when they get <o:p></o:p></p>
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amoung the back bells. whether this is beacause of the tuning or the<o:p></o:p></span></font></p>
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<p class=MsoNormal style='background:white'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>acoustics is another matter.<font color=navy><span
style='color:navy'>"</span></font> <o:p></o:p></span></font></p>
<p style='background:white'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>It's the acoustics – nothing to do with the
tuning; they are actually a very good 12. I rang a peal there a few years ago,
and as you say the trebles disappear in certain changes.</span></font><o:p></o:p></p>
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<p style='background:white'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>David</span></font> <o:p></o:p></p>
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