<div>I'll be brave and say that I like stretch tuning.</div>
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<div>When I worked at Symphony Hall, B'ham, the violins always tuned sharp. This was to ensure a brighter and more exciting sound. The same goes for choirs, I always get my sopranos to sing sharper for a clearer and more successful blend.<br>
Pier Head bells sound stretched to me (I may be wrong), the trebles are crystal clear amongst the back bells and I like them, they 'fizz' and 'bubble' when ringing the 12. 2 and 9 do beat with each other when ringing the middle 8 but apart from that there seems to be no problem. </div>
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<div>Until now I was unaware that Bill Hibbert's thesis was available online, I shall read with interest, especially as I have to submit my PhD proposal soon.<br><br>Aye</div>
<div><br>Sam<br><br></div>
<div class="gmail_quote">On Mon, Dec 8, 2008 at 1:17 PM, Richard Offen <span dir="ltr"><<a href="mailto:richard.offen@lXUYgmAtwd1RML0uwOmMPhj2QLn86SZiz4loUKKob0Yi1GxkW7VyA4lXvQsu42YxRa2hK07xZVfszmif3YJQIEKaNqLi.yahoo.invalid">richard.offen@591glR2xzTWDSPk3aAwZewv35m9WIXG5QYGXOSFTpdoFKaoCSXERXQ05eB4bu2VnUZqSMZBvT6tZwhQ.yahoo.invalid</a>></span> wrote:<br>
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<p>Andrew is right, I am listening to these rings more as a musician, with a<br>(he says modestly!) pretty accurate ear, than a bell tuner. <br><br>Our previous organist at St George's Cathedral couldn't stand the ring<br>
because, to him, they were so dreadfully out of tune, with the progressively<br>sharper intervals between the bells from the tenor and seventh up used to<br>drive him mad. He reckoned the best year of his life at St George's was<br>
the one when were weren't able to ring because of structural repairs to the<br>tower!<br><br>Like Andrew, I am not aware of any of the modern rings of twelve by both<br>founders, or indeed the pre-stretch Taylor ones having flat sounding<br>
trebles, or even particularly dull ones.<br><br>It is all extremely subjective, and I will acknowledge that my time in the<br>tuning shop (very many years ago now) trained my ear to hear things that<br>others don't notice, often to the point of spoiling my enjoyment of rings<br>
that others rave about - but a lot of these have stretched treble ..oops,<br>sorry, we're back where we started!<br><br>Richard
<div class="Ih2E3d"><br><br>-----Original Message-----<br>From: <a href="mailto:bellhistorians%40yahoogroups.com" target="_blank">bellhistorians@yahoogroups.com</a> [mailto:<a href="mailto:bellhistorians%40yahoogroups.com" target="_blank">bellhistorians@yahoogroups.com</a>]<br>
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<div class="Ih2E3d">On Behalf Of Andrew Higson<br>Sent: Monday, 8 December 2008 8:12 PM<br>To: <a href="mailto:bellhistorians%40yahoogroups.com" target="_blank">bellhistorians@yahoogroups.com</a><br></div>
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<div class="Wj3C7c">Subject: RE: [Bell Historians] GSM Cambridge and stretch tuning<br><br>I think Richard will be listening and grinding as a musician. <br><br>I'm worried that I'm hearing what Richard hears and not what Bill's<br>
thesis tells me I ought to hear. Bill - I confess that I've not read<br>your thesis yet - how much is the flattening of the trebles effect<br>subjective and likely to different interpretation with different ears?<br>I'm not aware that any of the tens and twelves I personally have tuned<br>
have trebles that sound flat to the extent that criticism has abounded. <br><br>Andrew Higson<br><br>Taylors Eayre and Smith Ltd<br><br>The Bellfoundry<br><br>Freehold Street<br><br>Loughborough<br><br>LE11 1AR<br><br>Telephone: 01509 212241 Fax: 01509 263305 Registered in England No.<br>
1352309<br><br>________________________________<br><br>From: <a href="mailto:bellhistorians%40yahoogroups.com" target="_blank">bellhistorians@yahoogroups.com</a><br>[mailto:<a href="mailto:bellhistorians%40yahoogroups.com" target="_blank">bellhistorians@yahoogroups.com</a>] On Behalf Of Bill Hibbert<br>
Sent: 08 December 2008 10:54<br>To: <a href="mailto:bellhistorians%40yahoogroups.com" target="_blank">bellhistorians@yahoogroups.com</a><br>Subject: [Bell Historians] GSM Cambridge and stretch tuning<br><br>RO:<br>> When Taylors recast the trebles and restored [GSM] in 1952 they made <br>
them one of their horrible 'stretched' peals<br><br>In the debate about stretch tuning, there are no right answers, only <br>different wrong ones and the need for compromise! GSM is one of the <br>peals that I investigated in my PhD (page 219, for anyone who has <br>
downloaded a copy) and in fact the treble tuning is close to that <br>needed to compensate exactly for the flattening of the strike note due <br>to the treble profiles. This is pretty remarkable given that Paul <br>Taylor (I assume it was he) had no theoretical understanding of the <br>
need for stretch, only the evidence of his ears.<br><br>Richard, you are listening to these bells as a bellfounder, not as a <br>man-in-the-street. Of course the nominals are sharp - but the strike <br>notes are flat. Stretch tuning is no longer fashionable, due to the <br>
discordance of various partials in true-harmonic peals heard in the <br>tower. It was certainly taken to extreme in peals like GSM. However, <br>the insistence on exact tuning of nominals, because they are easy to <br>measure, means the rest of us have to suffer flat / dull trebles in <br>
higher numbers. Because it is so hard to measure what we hear, the <br>argument is lost as soon as the tuning forks come out. That doesn't <br>mean that what we hear isn't real!<br><br>The two sides of the argument are neatly summarised by two comments on <br>
a Youtube video of the New York 12 (<a href="http://uk.youtube.com/watch?" target="_blank">http://uk.youtube.com/watch?</a><br><<a href="http://uk.youtube.com/watch?" target="_blank">http://uk.youtube.com/watch?</a>> <br>
v=0w6SQdrFSUg)<br>> is the top bell out of tune?<br>> no it isn't <br><br>Cheers,<br><br>Bill H<br><br>PS insert smilies to taste.<br><br></div></div>
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