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<p style='margin-bottom:12.0pt'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>“</span></font>There was a suggestion
during the discussion that <st1:City w:st="on"><st1:place w:st="on">Taylor</st1:place></st1:City>'s
appeared <br>
to have understood true-harmonic tuning in the 1850s. It seems to me <br>
that there is a big difference between a founder from time to time <br>
casting bells with octave partials, on the one hand, and actually <br>
being able to tune them to the octave, on the other.<font color=navy><span
style='color:navy'>”<o:p></o:p></span></font></p>
<p style='margin-bottom:12.0pt'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>Indeed, but the fact that there are a
number of bells of this era which are close to true harmonic suggests that they
knew what they were aiming for, even if they couldn’t always achieve it
(they didn’t have a tuning machine which would go right up to the crown, apart
from anything else). It would be interesting to know whether there are other
bells from the mid to late 1850s which also have harmonics close to true.<o:p></o:p></span></font></p>
<p style='margin-bottom:12.0pt'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>While on the subject of the interesting
bells of this era, is there any good reason why the bells (which are unaltered
and very good) and the frame (early use of cast iron) are not listed? They form
one of the most interesting installations of their date and are, in my opinion,
far more worthy of listing than many bells which are listed.<o:p></o:p></span></font></p>
<p style='margin-bottom:12.0pt'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>“</span></font>I assume it's the case
that Grimthorpe got <st1:City w:st="on"><st1:place w:st="on">Taylors</st1:place></st1:City>
out of the trap of casting very thin bells <br>
such as the tenors at Dunham Massey.<font color=navy><span style='color:navy'>”<o:p></o:p></span></font></p>
<p style='margin-bottom:12.0pt'><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>Dunham Massey does seem to be the extreme
example of this era – some others are quite thin (Kingweston 14 in E,
Baldersby 25 in C#) but not to such an extent.<o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 color=navy face="Times New Roman"><span
style='font-size:12.0pt;color:navy'>David</span></font> <o:p></o:p></p>
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