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<div class=WordSection1><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>I seem to have set some hares running in my inadvertent posting to the list (done in haste, when I thought I was just responding to DRL and GAD) – but there are some good suggestions and helpful points among the recent postings. <o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>But to clarify my earlier contribution, I should just stress that I’m not suggesting that an index has to be based on (new) photographs of marks (actually taken) from bells. Rubbings, casts and other forms of clear, scaled representation would be fine. My caveat is specifically in relation to drawings and engravings which, by and large, lack the accuracy of detail to be entirely reliable – however useful they are as representations. But in the light of methods and techniques available now, I certainly think that we should step back and select a method (or methods) that best suit(s) modern needs.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>An important point I didn’t include earlier is that marks used in the database must be shown to scale (or with scale measures) and should be identified as belonging to specific bells (even when the mark is representative of one that is believed to be recurrent). <o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>In my experience, all indices, glossaries and aids that attempt to bridge the gap between the visual and verbal (or referenced) worlds – Lawrence Greenall mentions heraldry (and I’d cite architectural glossaries, the NADFAS guide to makers’ marks on stained glass as others) – all suffer from a basic problem. That is, that it’s difficult to find the mark / heraldry / architectural feature for which one wants to find a name / reference / identification. One knows what one has seen but (often) it’s anything but easy to find it  when searching among images or representations. With e.g. crosses on bells, one can add filters to separate them into smaller groups (e.g. Maltese cross, cross fleury etc) but then one starts to require a degree of knowledge in the user and/or means there are more places to look. One has to remember the main objective of helping lost souls to find answers. <o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>While a coding system (Lawrence suggested an example) may well work, it shouldn’t be the only means of reference. Every entry in the index / guide should be self-explicit – and NOT require reference to other pages etc (although the fold-out key sheets in Scott et al “Devon” was really quite a clever addition in that respect). To my mind the “(fig.161)” or “(plate V no.15)” approach in the older County bell books – while perfectly clear and precise – isn’t very helpful in conveying an immediate idea of which marks are involved. In almost 50 years of doing this stuff, however, I still haven’t found a really workable alternative!<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Add to this, of course, the fact that at present we have the same mark with different references in different books, hence Warwickshire plate V no.15 = Sussex Plate 42c) = Worcestershire fig.161. A single reference system would certainly be a great improvement.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>These – perhaps not very well expressed, I admit – are some of the difficulties I alluded to in my earlier posting.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>As to means of capture, I’m slightly surprised (but then I started doing this stuff a long time ago) that the use of rubbings and casts aren’t immediately familiar to most bell historians. I certainly have a largish collection of rubbings of marks – soft pencil on thin paper to get a good impression when rubbed with the fingers – and a few plaster casts, although I stopped using this method in the 1970s because of their fragility and problems of storage. Both methods, however, are very effective for “capturing” good representations exact-size. <o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Many historical collections exist, and over the years I’ve made use of most of them – absolutely invaluable, and we risk missing a great deal if we don’t use what’s available. Among them are these:<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoListParagraph style='text-indent:-.25in;mso-list:l0 level1 lfo2'><![if !supportLists]><span style='font-size:11.0pt;font-family:Symbol;color:#1F497D'><span style='mso-list:Ignore'>·<span style='font:7.0pt "Times New Roman"'>        </span></span></span><![endif]><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Ellacombe rubbings – at the British Library<o:p></o:p></span></p><p class=MsoListParagraph style='text-indent:-.25in;mso-list:l0 level1 lfo2'><![if !supportLists]><span style='font-size:11.0pt;font-family:Symbol;color:#1F497D'><span style='mso-list:Ignore'>·<span style='font:7.0pt "Times New Roman"'>        </span></span></span><![endif]><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>North’s rubbings – also at the British Library<o:p></o:p></span></p><p class=MsoListParagraph style='text-indent:-.25in;mso-list:l0 level1 lfo2'><![if !supportLists]><span style='font-size:11.0pt;font-family:Symbol;color:#1F497D'><span style='mso-list:Ignore'>·<span style='font:7.0pt "Times New Roman"'>        </span></span></span><![endif]><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Walters rubbings – at the Society of Antiquaries<o:p></o:p></span></p><p class=MsoListParagraph style='text-indent:-.25in;mso-list:l0 level1 lfo2'><![if !supportLists]><span style='font-size:11.0pt;font-family:Symbol;color:#1F497D'><span style='mso-list:Ignore'>·<span style='font:7.0pt "Times New Roman"'>        </span></span></span><![endif]><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Hawkins rubbings (incidentally including good rubbings of most of the Royal Heads bells!!!) – at the Society of Antiquaries<o:p></o:p></span></p><p class=MsoListParagraph style='text-indent:-.25in;mso-list:l0 level1 lfo2'><![if !supportLists]><span style='font-size:11.0pt;font-family:Symbol;color:#1F497D'><span style='mso-list:Ignore'>·<span style='font:7.0pt "Times New Roman"'>        </span></span></span><![endif]><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>Elphick plaster casts – at the Taylor Bellfoundry Museum (and some at the Pitt Rivers Museum in Oxford)<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>These are all accessible with varying degrees of ease.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><div><p class=MsoNormal><b><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#0070C0'>Chris Pickford</span></b><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#0070C0'><o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>E-mail: <a href="mailto:pickford5040@gmail.com"><span style='color:blue'>pickford5040@gmail.com</span></a> <o:p></o:p></span></p></div></div>



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