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<div class=WordSection1><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>There are a couple of them in the Channel Islands – see my “Bells of the Channel Islands” under St Peter Port Guernsey (Town Church), and St Peter, Jersey. Both of them have examples of this sort of “Timbre”. In both cases the “Timbre” or clock bell, deliberately cast to this shape, hangs outside the tower – at the Town Church under a canopy on the NW face of the spire and at Jersey outside the east bell chamber window. I shall always be grateful to John David for interpreting its inscription!<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>So far as tone is concerned, I think that the Town Church example, which is a sizeable Bell of about 15-cwt (by Brocard 1736), may charitably be described as “unusual”. The Jersey Bell is much smaller and sounds fairly unremarkable.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>No idea why they were cast to this shape – obviously they use less metal and would cost less. I gather that there are numerous examples in France.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>It was interesting to see the name Causard on the Bell. In their most recent form, the Belgian firm of Slegers-Causard were casting Carillons in Belgium until the period between the wars.<o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'>DLC <o:p></o:p></span></p><p class=MsoNormal><span style='font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D'><o:p> </o:p></span></p><div><div style='border:none;border-top:solid #B5C4DF 1.0pt;padding:3.0pt 0cm 0cm 0cm'><p class=MsoNormal><b><span lang=EN-US style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'>From:</span></b><span lang=EN-US style='font-size:10.0pt;font-family:"Tahoma","sans-serif"'> bellhistorians@yahoogroups.com [mailto:bellhistorians@yahoogroups.com] <br><b>Sent:</b> 10 September 2017 20:52<br><b>To:</b> Bell Historians<br><b>Subject:</b> [Bell Historians] Squat bell<o:p></o:p></span></p></div></div><p class=MsoNormal><o:p> </o:p></p><p class=MsoNormal> <o:p></o:p></p><div id=ygrp-mlmsg><div id=ygrp-msg><div id=ygrp-text><p>One of the bells I saw while on holiday in France was extremely squat. <br>Excluding canons it was ~17" high and ~34" diameter.<br><br>It was standing on a pallet so no idea what it sounds like.<br><br>There are pictures of it at:<br><br><a href="http://jaharrison.me.uk/Temp/SarlatBell1.jpg">http://jaharrison.me.uk/Temp/SarlatBell1.jpg</a><br><a href="http://jaharrison.me.uk/Temp/SarlatBell2.jpg">http://jaharrison.me.uk/Temp/SarlatBell2.jpg</a><br><br>The inscription (on the back and difficult to see, not visible in the<br>pictures) is:<br><br>1825 AUGUSTIN MARTIN PAINTANDRE ET CAUSARD TONDEURS<br><br>Any idea why it was that shape, which I haven't seen before?<br><br>Regards<br><br>-- <br>John Harrison<br>Website <a href="http://jaharrison.me.uk">http://jaharrison.me.uk</a><o:p></o:p></p></div><div><p class=MsoNormal><span style='color:white'><o:p></o:p></span></p></div></div>
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