<div dir="ltr">I rang in, and suggested the name for, the first peal of Cantuar which was at Canterbury Cathedral. It is my understanding that Rod Pipe was the deviser of the method.<div> I still have the grid work which Peter Border gave me from which came the methods, Newgate , Eldon etc.</div><div><br></div><div>Alan Ainsworth</div></div><div class="gmail_extra"><br><div class="gmail_quote">On 25 October 2016 at 18:30, Richard Smith <span dir="ltr"><<a href="mailto:richard@ex-parrot.com" target="_blank">richard@ex-parrot.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><br>
There have been a couple of interesting discussions on Facebook recently about maximus methods. Following last month's peal of Snow Tiger at St Philip's, Mark Davies commented how hard it is to get a new method accepted into the canon of standard maximus methods, and that only a tiny number of method designers had succeeded. Then a few weeks later someone asked why we only record the authorship of compositions and not of methods. The answer is doubtless that until method design and composition came to be considered part of the same process, each feeding into the other -- the process Philip Earis called architecting -- method design was trivial and the designer was not considered worth recording. This makes it hard to assess how many method designers have succeeded in getting their methods in to the maximus canon.<br>
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Since the war, only 20 methods have accounted for more than 1% of the single-method peals of maximus in a decade, with three methods being far ahead of the others. In decreasing order of popularity, they are:<br>
<br>
Cambridge<br>
Bristol<br>
Yorkshire<br>
<br>
Lincolnshire<br>
Plain Bob<br>
Superlative<br>
Newgate<br>
Avon<br>
Orion<br>
Pudsey<br>
Londinium<br>
Swindon<br>
Kent<br>
Cantuar<br>
Rigel<br>
Barford<br>
Zanussi<br>
Ariel<br>
Strathclyde<br>
Prittlewell<br>
<br>
Phobos<br>
Albanian<br>
Lyddington<br>
<br>
I've appended Phobos to this list, despite it not being one of the 20 most popular single methods: for good reason, it's almost never rung as a single method (it's only been pealed seven times), but is nevertheless rung in well over 1% of peals of maximus these days. I lack the data to know whether any other methods may have fallen into this category last century, but very probably Albanian and Lyddington did, and I have included them on that assumption.<br>
<br>
The name of the designer of Plain Bob is lost in early history of ringing. (Some attribute it to Robert Roan, but there's no evidence he contributed more than just the WHW calling used in minor.) Several other methods -- certainly including Kent, Cambridge, Yorkshire, Pudsey and Bristol -- are such obvious continuations of an extension series that it's meaningless to talk about a composer for the maximus version. In the case of Britol, Bankes James designed bot the major and royal version, so if anyone is to be credited with the maximus version it should probably be him, regardless of whether he was first to actually write it out.<br>
<br>
What of the other methods on the list? I'm fairly sure David Pipe designed Phobos together with Deimos specifically for use in what has become his classic 11-part cyclic 6.<br>
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In 2000 Rod Pipe wrote a introduction to a collection of Peter Border's peal compositions which says that Border produced Newgate, Barford and Avon, and the underwork of Orion, Rod Pipe having already supplied its overwork.<br>
<br>
<a href="http://www.ringing.info/peter-border-frames.html" rel="noreferrer" target="_blank">http://www.ringing.info/peter-<wbr>border-frames.html</a><br>
<br>
That's about where my knowledge ends. Can anyone else supply some of the missing names?<br>
<br>
RAS<br>
<br>
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