Recording inscriptions (WAS Re: Digest Number 1353)
grblundell
GRBlundell at K0PV732fYTH4SFDbuBkQFche7Eyfm8lbZBe1EB4X1-f9TlmAM9rw_Ki4GldNIV7Cm1uyLj2xMOA.yahoo.invalid
Thu Apr 13 13:57:05 BST 2006
Dickon:>
> Examine the bell carefully visually and by touch, preferably using
a rule to
> note the height of the letters.
>
Ernie:
> "Surely a well taken photogtraph is very accurate method."
>
Dickon again:
> Sometimes a photograph will work, but there are the following
potential pit
> falls:
>
> 1. A photo will not give you the height of each letter.
> 2. You could lose some letters round the side of the bell.
> 3. The photograph may not show up punctuation clearly. I have
known some
> readings that require you to *feel* punctuation in order to
identify them
> best.
>
- aren't we running the risk of throwing the baby out with the bath
water here? If we follow Dickon's route exclusively, then I can see
real risks of transcription errors, or of dubious readings entering
the canon. Using Ernie's route uniquely has the problems that Dickon
suggests, although some are not insoluble (problems over recording
height can be dealt with by intelligent application of a ruler in
the photo; surely 4 or more photos around a bell (itself assuming
unlimited access) will give even coverage of all faces; near
invisible punctuation is a real problem).
In practice, don't we want to use a mixture of methods, each playing
to their own strengths? I'm not a practitioner of the art of
recording inscriptions, but I would have thought that photographing
inscriptions was an invaluable part of the mix. If nothing else, it
can provide a quick and easy aide memoire when writing up recorded
details.
Does anyone know the approach used by academic archaeologists to
recording their finds? I'd have thought that they would be likely to
have good practice that could illuminate issues for us.
Cheers
Giles Blundell
Liverpool
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