[r-t] Compositional help requested

[Michael Wilby]

Similarly to Richard, in a first attempt I've opted to remove the 56s
from the Bristol.  However, I don't really see the point in trying to
get all the 56s with the few courses of Stedman available, other than it
being an intellectual challenge.  Thus the Stedman is a little more
ambitious than the basic s7.18 specification, though it's hardly tricky
for anyone proposing to call this sort of thing anyway...  It includes
little-bell music at the back (6543s and 3456s) and more off the front
round the course-ends, plus the near-misses on the front 6 (obviously
the 45 comes in the Bristol).


5009 Spliced Cinques / Maximus
MPAW, after spec from PJE 6/9/06

                             1234567890ET
2*Slink                     14523ET90786 |
2*Bristol                   167890ET2345 | A
----------------------------------------
9A                          190ET2345678
----------------------------------------
                  M   W   H
SSBB-BBB-            -   -  1452367890ET
BBBsBBBBsCCCCC-  s   s   -  1235647890ET
----------------------------------------
Cambridge        -       s  1543627890ET
                  s       -  1324657890ET
                  -   -      1645237890ET
----------------------------------------
Stedman
6543217890E  1 7 s9 12 14 15 16 17 18 19 (20 sixes)
43526178E90  1 5 18
32416578E90  7 18 19
31426578E90  s18
12346578E90  s16 18
1234657890E  12 14 15 16 17 18 19 (20 sixes)
2134658709E  s2 s6 s10 s13 15 16 s19
2413658709E  18
3421658709E  s9 s16 18
3152648709E  18 s19
3142658709E  s5 s14 s19
2143658709E  s7 s9 s16

Stedman starts with a full slow six.