[r-t] Composers of popular maximus methods
Richard Smith
richard at ex-parrot.com
Tue Oct 25 17:30:37 UTC 2016
There have been a couple of interesting discussions on
Facebook recently about maximus methods. Following last
month's peal of Snow Tiger at St Philip's, Mark Davies
commented how hard it is to get a new method accepted into
the canon of standard maximus methods, and that only a tiny
number of method designers had succeeded. Then a few weeks
later someone asked why we only record the authorship of
compositions and not of methods. The answer is doubtless
that until method design and composition came to be
considered part of the same process, each feeding into the
other -- the process Philip Earis called architecting --
method design was trivial and the designer was not
considered worth recording. This makes it hard to assess
how many method designers have succeeded in getting their
methods in to the maximus canon.
Since the war, only 20 methods have accounted for more than
1% of the single-method peals of maximus in a decade, with
three methods being far ahead of the others. In decreasing
order of popularity, they are:
Cambridge
Bristol
Yorkshire
Lincolnshire
Plain Bob
Superlative
Newgate
Avon
Orion
Pudsey
Londinium
Swindon
Kent
Cantuar
Rigel
Barford
Zanussi
Ariel
Strathclyde
Prittlewell
Phobos
Albanian
Lyddington
I've appended Phobos to this list, despite it not being one
of the 20 most popular single methods: for good reason, it's
almost never rung as a single method (it's only been pealed
seven times), but is nevertheless rung in well over 1% of
peals of maximus these days. I lack the data to know
whether any other methods may have fallen into this category
last century, but very probably Albanian and Lyddington
did, and I have included them on that assumption.
The name of the designer of Plain Bob is lost in early
history of ringing. (Some attribute it to Robert Roan, but
there's no evidence he contributed more than just the WHW
calling used in minor.) Several other methods -- certainly
including Kent, Cambridge, Yorkshire, Pudsey and Bristol --
are such obvious continuations of an extension series that
it's meaningless to talk about a composer for the maximus
version. In the case of Britol, Bankes James designed bot
the major and royal version, so if anyone is to be credited
with the maximus version it should probably be him,
regardless of whether he was first to actually write it out.
What of the other methods on the list? I'm fairly sure
David Pipe designed Phobos together with Deimos specifically
for use in what has become his classic 11-part cyclic 6.
In 2000 Rod Pipe wrote a introduction to a collection of
Peter Border's peal compositions which says that Border
produced Newgate, Barford and Avon, and the underwork of
Orion, Rod Pipe having already supplied its overwork.
http://www.ringing.info/peter-border-frames.html
That's about where my knowledge ends. Can anyone else
supply some of the missing names?
RAS
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