[Bell Historians] Mancroft: The evidence

Michael Wilby michael_wilby at y...
Thu Feb 14 12:40:34 GMT 2002


If they went largely untuned, as the figures below suggest, perhaps an answer lies with whoever rehung them prior to Taylor's intervention in 1924. If the canons were also removed from the front bells prior to this date, is it possible that they had already been tuned as well and that only the tenor required any significant work? 
They are certainly a grand old-style ring, and I suppose I'm not too surprised by the revelation that not much (if any) tuning has been undertaken last century.

Michael.
David Bryant <djb122 at y...> wrote: Re. My earlier email. Here are the weights of Mancroft as received at
Taylor's and as despatched, with some commentary

As received 
at Taylor's 1924 After Removed

1. 6-2-24 6-2-7 0-0-17
2. 6-1-20 6-1-19 0-0-1
3. 6-2-23 6-2-21 0-0-2
4. 7-2-26 7-2-1 0-0-25
5. 8-3-24 8-2-23 0-1-1
6. 9-2-13 9-2-7 0-0-6
7. 11-1-24 11-0-11 0-1-13
8. 14-0-10 13-1-26 0-2-12
9. 19-1-4 18-2-25 0-2-7
10. 21-2-20 20-3-13 0-3-7
11. 28-1-15 27-0-23 1-0-20
12. 40-2-21 37-3-15 2-3-6
6b. 10-0-0 9-3-1 0-0-27

In some cases, the 2nd and 3rd, the differences are so slight that
nothing appears to have been done - presumably these bells had already
lost their canons. In the case of the 6th, the same is probably true and
the difference is due to drilling. The treble, 4th, 5th, 7th, 8th, 9th,
10th and 11th all lost what would be expected where canons were removed
but nothing else done. Likewise, the flat 6th probably had a Doncaster
Head, which would weigh about 27 lbs.

The tenor is far less clear. The amount removed seems a bit too much to
account for canons alone, even on a bell this size. Was it also tuned
slightly, and if so why it and not the others?

Any more to the point, if, as seems proven now I've looked more closely
at the evidence (and to some extent answered my own question!), the
bells were left largely untouched in 1924, why was this? Taylor's are
unlikely to have left them alone by choice, particularly at this date,
so I would think it likely that pressures from the local ringers or
church authorities is most likely the answer. More research, as they
say, is needed! The most obvious place to start is perhaps to look
closely at the tenor for evidence of tuning, and ideally to see the
correspondence between the foundry and the church.

David

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