[Bell Historians] St. Mary's Denbigh

Richard Offen richard.offen at lM4lAgi3BRfOllsIncrRF408ZFL4vLjDEi3ac6rvz0dgbnJ8_6P89BTiscFEkrGGd0geNKGGW5b85uMjiMVNx6MLzQI.yahoo.invalid
Tue Apr 15 14:36:05 BST 2008

They sound pretty average to me!





From: bellhistorians at yahoogroups.com [mailto:bellhistorians at yahoogroups.com]
On Behalf Of Bickerton, Roderic (SELEX GALILEO, UK)
Sent: Tuesday, 15 April 2008 3:48 PM
To: bellhistorians at yahoogroups.com
Subject: RE: [Bell Historians] St. Mary's Denbigh


Hear is a clip, you decide



From: bellhistorians at yahoogroups.com [mailto:bellhistorians at yahoogroups.com]
On Behalf Of Chris Pickford
Sent: 15 April 2008 01:25
To: bellhistorians at yahoogroups.com
Subject: Re: [Bell Historians] St. Mary's Denbigh

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Rod Bickerton wrote: " I thought I knew exactly what to expect from a 3/4 Tn
1873 Whitechapel 8. Wrong, they are very good. Is anything known, were they
some sort of experiment, tuned by someone different, cast by someone else
under contract or what?"


I'm not sure what the aural equivalent of "rose tinted spectacles" is, but I
strongly suspect a case of it here. If they are better than expected, it
probably has more to do with a favourable acoustic than anything else. But
I'm really only mailing to suggest that pursuit, exploration or speculation
on the latter points in the above extract would be pointless. They must
surely be a standard M&S job of the period



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