[r-t] A new category of splice?
Richard Smith
richard at ex-parrot.com
Mon Jul 2 13:20:50 UTC 2012
Philip Earis wrote:
> I do like this half-lead spliced concept. Has it been
> documented before? Are there rung methods which have this
> feature?
I don't know whether it's been documented before, but there
are plenty of Surprise Minor examples out there. Obviously
a half-lead splice is a special case of a lead splice, in
just the same way that a two-lead splice is a special case
of a six-lead splice, and so many examples of half-lead
splices are known as lead splices and the fact that they are
also half-lead splices is not so well known.
Probably the best example of this is Allendale and
Fryerning.
&-34-4-2-3.2-2.3,2 (Allendale)
&-34-4-2-23-2-3,2 (Fryerning)
The following rows appear in Allendale when the treble is
dodging in 5-6:
234165 8
324615 9
326451 10
234615 11
236451 12
326541 13
If we swap rows 9 and 11, we get Fryerning.
Obviously you can do the same above the treble with the
5-5.4 and -5-45 overworks. If you want to avoid more than
two consecutive blows in one place, these are the only two
types of half-lead splice in treble dodging minor.
More generally, though, there are lots of odd splices if you
allow half-lead changes of method.
The lead heads and lead ends of the unit affected by the
splice must form a group. For a minor method, the group
must be a subgroup of S_5; and for a treble dodging minor
method, a subgroup of A_5. The usual requirement to only
change method at the lead head coupled with palindromic
symmetry means the group must contain an element conjugate
to the half-lead change, which typically means an even
parity element of order two. An examination of the table of
groups in Brian Price's 'Composition of Peals in Parts'
shows that the only such groups for TDMMs are the ones of
order 12, 10, 6, 4 and 2. These correspond to the six-lead
splice, the course splice (and five-lead splice), the
three- and two-lead splices, and the lead splice.
But allowing half-leads to be changed independently gives us
a lot more types of splices, and also makes it much more
likely that two more methods do splice. However, the more
complex half-lead splices are much harder to exploit than
the full lead ones. Take Cambridge and London, for example.
These have a two-half-lead splice which in principle might
allow a composition fo half-lead spliced Cambridge and
London, though I can't immediately see how to exploit it in
a composition.
RAS
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