[r-t] Plain Bob Major (S D Pettman)

Alexander Holroyd holroyd at math.ubc.ca
Sun Sep 4 15:41:24 UTC 2016


Interesting stuff!  Long ago when I produced the below 5008 of PB8 
(possibly the first normal length peal containing "the 384"?), I wondered 
about the possibility of combining the 384 4-runs with all 576 
combinations of 5678 in 5678 (and perhaps even in 1234 too).  Better than 
crus I reckon. This would in particular include the 1234s and 4321s.  Is 
it possible with reasonable methods, I wonder?

I also vaguely rememeber a composition of PB8 and LB8 containing 144cru 
and all tenors together 4-runs at the back (and maybe front too?), which 
deserves a mention in this context.  Perhaps by Richard Pearce?

Ander

5008 Plain Bob Major
Alexander E. Holroyd

1 2 3 4 5 6 7   2345678
-----------------------
         s   -   8235674
     - s     s   8324567
-----------------------
   s   s    :    2836745 )A )
      3A         2834567    )B
   - -   - - -   4567283    )
        :        3286745    )
   s   s   s:    8234567
       B         2386745
-----------------------
   - -    :      7862345
-----------------------
     - -         7865432 )C
       A         6783254 )
      4C         8673254
-----------------------
     - s -       8634527
s    :          2785634
-----------------------
      5C         7826543
     - -         7823456
-----------------------
   - -   s:      4327856
-----------------------
      5A         3245678
   s   s   s:    4237856
      5A         2345678
-----------------------

Contains 24 each 2345's, 3456's, 4567's and 5678's forwards and backwards 
off the front and off the back, and no 87's at backstroke.

Cambridge, 12 Hertford St (handbells); 18 May 1996; Patrick L. H. Brooke





On Fri, 2 Sep 2016, Alan Reading wrote:

> This is quite an interesting composition which could easily be overlooked:
> http://bb.ringingworld.co.uk/comp.php?id=2252289
> 
> The basic idea is simply enough (it's effectively spliced Reverse Bob and Crayford
> turned upside down) - but allows for a lot of music to be packed in by missing out
> chunks of the course without music.
> In this case all 384 4-bell runs front/back (excluding the treble) are combined with
> 144 crus in an interesting mix of the modern and the traditional.
> Creating space for crus won't be to more modern tastes but there'd be plenty of
> scope to adapt the plan to include other types of music instead (2468's, 7568's,
> other combo's of 5678 etc).
> 
> I just like the idea of packing in music on top of the 384 - and it's nice to see it
> done with such a simple method / concept.
> 
> Cheers,
> Alan
> 
> 
> 5152 PLAIN BOB MAJOR - S D Pettman
> 
> W  X       M  X  H    2345678
> -----------------------------
>                  -    7864523
>                  -    2356478
>    X             -    5236478
>    X             -    3526478
>                  -    6784523
>    X             -    8674523
>                  -    4235678
> S  X       S     -    3624578
>    X             -    2364578
>    X             -    6234578
> S  X             -    3426578
>    X             -    2346578
>    X             -    4236578
> S  X       S     -    3524678
> S                -    7862345
>    X             -    6782345
>    X             -    8672345
>                       4523678
> S  X             -    2354678
>    X             -    5234678
> S  X       S     -    3625478
>    X             -    2365478
> S                -    2784365
>    X             -    8274365
>    X             -    7824365
>                       5362478
> S     ST         -    8235476
>    X             -    3825476
>    X             -    2385476
>       SF   S          4365278
>                  -    7826543
>    X             -    2786543
>    X             -    8276543
>            S     -    6235478
>    X       S     -    3425678
>       F    -     -    2348765
>    X             -    4238765
>    X             -    3428765
>       II   S  X  -    8326745
>    X             -    2836745
>    X             -    3286745
>            S     S    3245678
>       F    -     -    4328765
>    X             -    2438765
>    X             -    3248765
>       II         -    4325678
>    X       S     -    2635478
>    X             -    3265478
>       ST         -    8325476
>    X             -    2835476
>    X             -    3285476
>       SF         -    6325478
> S  X       S     -    2436578
>                  -    6785432
>    X             -    8675432
>                  -    5324678
>    X             -    2534678
>    X             -    3254678
>                  -    7865432
>                  -    3246578
>    X             -    4326578
> S  X             -    2634578
> S                -    2785634
>    X             -    8275634
>    X             -    7825634
>                       4632578
> S  X       S          5634278
>                  -    7823456
>    X             -    2783456
>    X             -    8273456
>            S     -    3264578
>    X             -    6324578
> S  X       S     -    2536478
>    X             -    3256478
>    X             -    5326478
> S  X       S     -    2435678
> S                -    7863254
>    X             -    6783254
>    X             -    8673254
>                       5432678
> S  X       S  X  -    8236745
>    X             -    3826745
>    X             -    2386745
>            S     S    2345678
> -----------------------------
> X = turns the treble round in 5ths in the second lead (or the lead after the call at
>  Middle in the later position).
> The calls at H are at the lead that the figures given produce. All other calls relat
> e to the tenor.
> 
> 144 crus, 24 5678's off front, 24 each 4567's, 3456's, 2345's,
> 7654's, 6543's, 5432's front and back.
> 
> 
>




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