[Bell Historians] Treble hangings
Richard Offen
richard.offen at o...
Tue Mar 30 23:32:50 BST 2004
--- In bellhistorians at yahoogroups.com, "Judith & Andrew Higson"
<jahigson at n...> wrote:
> RO:
>
> Presumably to slow them down a bit.
>
> Is this why, in quite a number of Taylor's larger rings, it is hard
> work to strike the little bells over the large ones (and for the
> tenors to have to pull off in front of the trebles in order to
strike
> over them). Compared to Leighton Buzzard, for instance, the
trebles
> at Canterbury are a doddle to ring and strike properly (I've rung
> peals on the treble at both)!
>
> Oops! I've probably offended lots of Taylor fans again!!!
>
> R
>
> Not me.
>
> It might be interesting to compare hangings, wheels sizes, etc. if
you have
> them for Canterbury, I'll supply LB, Evesham etc.
>
> Andrew
Alas, I've just donated all of my papers on the restoration of
Canterbury Cathedral bells to the Cathedral Company's archive (I was
running out of space and felt it more appropriate for them to be in
Canterbury than Shropshire), but Dickon might have them. If not,
I'll contact Hazel Basford and get her to search them out. It
would certainly be interesting to do the comparison.
I was ringing the treble in 12 at St Chad's Shrewsbury again this
evening and the front end are far easier to strike there than many of
your later twelves. The tenor, which I've turned in on many
occasions is certainly not sluggish in the way described by DB.
What happened in the hanging department after Shrewsbury?
On the matter of sound, I agree with David Beecham, it all depends on
where you hear a ring. St Chad's are not the easiest to hear
inside, although we have improved them considerably in recent years,
but walk down to the River Severn, through the park opposite the
Church, and they are just sublime - the tingle factor is amazing!
R
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