Berlin, Freedom Bell
Richard Offen
richard.offen at 50TFg7qbnLxfgS7tUoPHZJz69xoQ_DcQSbjoGbzHaStuLGEQVoFp2x7WzGPyGBEMVLXHhMBiL_ch5Fym1F92B2I.yahoo.invalid
Wed Jun 20 00:53:13 BST 2007
--- In bellhistorians at yahoogroups.com, "Bill Hibbert" <bill at ...>
wrote:
>
> Alan, thank you so much for the prompt response and the tuning
> figures. There is a good match with those I measured from the
> recording. I have used some educated guesswork to interpret the
> figures from the G&J records and others may be able to shed some
light.
>
> I am assuming that a figure such as 199 3/8+1/10 means that a fork
> measured at 199 3/8 cycles per second beat against the relevant
> partial with one beat in 10 seconds. 429 1/2+ 1 1/3 I took to mean
a
> fork with frequency 429 1/2 cycles per second beating at 1 1/3
beats
> per second (i.e. 4 beats in 3 seconds).
>
> With this as background the figures that line up are as follows:
> G&J Recording
> 82.1 86.8 (hum)
> 165 151.9 (prime)
> 199.5 198.1 (tierce)
> 355.2 334.4 (nominal - the G&J figure should be 335.2!)
> 504.2 502.5 (superquint)
> 699.8 694.9 (octave nominal)
> 916.9 910.8 (I-7)
> 1142.3 1138.6 (I-8)
> 1388.5 1382.2 (I-9).
>
> Some comments on these figures:
> * the recorder used was running 0.5% slow
> * the G&J figure for the nominal is in error, 355Hz is an F, not an
E
> * G&J struggled to measure the very low frequencies for hum and
prime
> using forks and I am not surprised.
>
> I do not know the significance of the second batch of figures,
> starting 731 LW&W.95&CR.
>
> Thanks again for the figures, they confirm that this is definitely
a
> recording of the right bell.
>
> Regards,
>
> Bill H
>
I well remember Wally Spragett telling me of his adventures tuning
this bell. It was one of G & J's early ventures into serious upper
partial tuning and I suspect the figures you mention are something to
do with that (haven't studied them properly yet to see).
I seem to remember Wally saying that, because of the experiment, they
made a bish of the tuning (can't remember what he said the error
involved), but as the bell was never to be rung with any other, they
let it go - would have been a rather expensive mistake had the bell
needed recasting like the Wannermaker Bell a few decades earlier!
On a related matter, I remember seeing on several occasions Wally's
personal tuning note book from his days at Gilletts. I wonder if
Nigel Taylor can tell us if it's still at Whitechapel, or what
happened to it?
Richard
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